Right at the outset I need to justify the above subtitle. The readers may be understandably perturbed that the use of the word Christian is an irrelevant identity marker, given the violence that identity markers have caused in Sri Lanka. Mage Sithe Athi - Annesley Malewana Song Chords. M Jayaratne Song Chords & Lyrics Mama Bohoma Baya Una - Maxwell Mendis Song Chord. Hanthanata Payana Handa - Amarasiri Peiris Song. I am acutely conscious of Amartya Sen’s advice, ‘Reason before Identity’ before we classify groups (Identity Violence, 2007). Andura Gala Yana - Hector Dias Song Chords & Lyrics Dilhani Duwani - Indrani Perera Song Chords & Ly. However this identity profiling is only an empirical generalization contextualized here because it has contingent social significance. I wish to demonstrate how young, predominantly Christian youth, through Sinhala song stumbled on to foster amity, dialogue and communication between communities, ‘unloading a million bricks’ out of the Sinhala psyche (Langston Hughes, The Big Sea, 1986). Having relieved my burden I shall come to the subject proper. This article is to celebrate more than half a century of the continued dominance of Christian youth led popular Sinhala music where they reigned supreme.Īt independence while Sinhala music was experimenting with different forms, amidst debate and rancour the city dwelling youth were emulating the sprouting bands and vocalists in the West, and Latin America. The Beatles, Shadows, Kinks, Rolling Stones etc. In 1969, Indrani sang her first song Dilhani Duwani, which was previously voiced by Annesley Malewana.
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and generally fast rhythm music was mimicked by the westernized youth who were mostly Christian whose talents were honed in the arts and performances of the church. Indrani Perera (Sinhala: : born 15 February), is a Sri Lankan singer and playback singer. Free Interactive Chords for Dilhani Duwani (Indrani Perera) Acoustic guitar Cover Sahani Gunawardena are : Dilhani Duwani (Indrani Perera) Acoustic.
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The bill was split between competing groups. Among the most popular were La Ceylonians, Moonstones, Sunflowers, La Lavinians, Los Flamingos, Hummingbirds, La Bambas, Los Muchachos, Los Serenaders, Los Caberellos, Beacons, Peddlers, Sunflowers, Spitfires, Gypsies, Eranga and Priyanga and many more in the country towns including the North. The Christian schools in Colombo as St Thomas’, St Peter’s, St Joseph’s, St Benedict’s provided much needed youth to work the bands. Likewise the Christian Schools in towns of Kandy, Ratnapura, Nawalapitiya, Galle, and Jaffna followed suit supplying vocalists and instrumentalists.